对于这部电影，四星及以上是我这种观众必须要给的分。但还是不得不说：电影不如前作《我的婚内情事》。被路过的歹徒狂奏、作天作地的儿子，有点丧失案例的典型性，反而模糊讨论焦点。肯·洛奇是反资本主义社会/消费社会，但不断地拍摄苦情情节剧，并不能做到彻底的反对。但如果方向是“体制改良”，那么这类扎实的创作倒是能体现出泛化的社会意义。所见过的把真实体验与浪漫情怀糅合至最佳的华语青春片！有N多经典的人物行为细节设计的巧妙，能产生很真挚的心理共鸣，让三个人物绽放的青春懵懂之心都极为动人。有同性元素的存在让三人爱情形成了最有戏剧性的套环。稍不完美的是男女主角的关系发展与同性线索展开稍显失衡，让孟的同性取向说服力不足This animated feature film incorporates music, theater and sculpture techniques while following one woman's journey through her marriages, both imagined and real. Her experiences transform her from a fiery young girl craving love to a domestic abuse victim and eventually lead to her discovery of gender fluidity, self-acceptance, and finding a better place in society. The singing Mythology Sirens and her own Biology are characters that influence her, showing how our relationship roles are shaped by both the stereotypes of our cultures and the neuroscience of our own bodies. Written by Signe Baumane
